Do yourself a favor and go read Eleanor & Park.

Two days ago I picked up Eleanor & Park from my library, and last night I finished it through a steady stream of tears. In his review for the NY Times, John Green writes:

“Eleanor & Park” reminded me not just what it’s like to be young and in love with a girl, but also what it’s like to be young and in love with a book.

It’s true. This book left me feeling nostalgic not only about first love, but about reading experiences long gone, when the contents of a book, especially about love, were a total revelation.

I expected a love story between two teenage misfits, what I didn’t expect was such a deeply moving story about the challenges many American kids face far too soon, and far too often. (SPOILER ALERT: If you haven’t yet read the book you may want to stop here).

Eleanor is poor in a way we rarely see represented in fiction. There is not enough money to go around, and on top of that, her stepfather is a violent alcoholic. As I was reading about the nightmare that is Eleanor’s life, I kept thinking about Charlie and the Chocolate Factory. Charlie’s life was miserable too, but there was love in his house. Charlie is the scrappy kid who grew up poor but was destined to go places. Eleanor is scrappy too, but she does not imagine a way out. And crucially, neither do the adults in her life.

Eleanor’s mother is woman paralyzed by fear of an abusive husband. Early in the novel we learn that the last time Eleanor stood up to her stepfather, she was kicked out of the house and sent to live with family friends for an entire year. Her mother, though well-meaning, did not take her daughter’s side in that fight, and so Eleanor is well aware that she is on her own. At the start of the book, she has just returned to life with her family, and is trying her best to keep her head down.

It isn’t fair to call Eleanor ashamed. She is not quite ashamed of the fact that she has no access to batteries, to a toothbrush. She is simply embarrassed.  She never once acknowledges that her strange style of dressing is a strategy she has developed to cover up the fact that most of her clothes are falling apart, and none fit her quite right. Rather than appear threadbare, she pins pieces of fabric to the holes in her jeans and her sweaters.

Most readers will not be able to understand the kind of suffering that Eleanor endures, but there is something utterly universal about the fact that it is often in the encounter with a first love that we are faced with the uniqueness of our own family situation. When she enters Park’s house for the first time, Eleanor is overwhelmed by its pristine order. She can’t believe that there are homes filled with small bowls of potpourri, and pantries abundant with many varieties of cookies. Park never sees the inside of Eleanor’s house, but he quickly learns, both from Eleanor, and from watching how his parent’s worry about her, that other people live differently than he does. And that other people’s parents are not as strong and solid as his.

Eleanor & Park has a Judy Blume like maturity. This is a book about two teenagers falling in love, but it is also about all of the complicated ways that love is doled out in the world. Some kids are raised in houses where love is unconditional, generous, and kind. Others are not. The fact that this is true is brutally unfair. But fiction has the power to at least let us face this unfairness head on, with compassion and wonder.


Heroines of Home Economics: Lydia Maria Child

Lydia Maria Child (1802-1880) was a prolific writer and abolitionist. While there have been numerous scholarly biographies about Child’s political activities, the discussion of Child continues to have a hard time reconciling her role as a writer of domestic advice manuals, and her role as a political activist.

In 1828, at a time when the genres of sentimental fiction and the cookbook were enjoying enormous success, Lydia Maria Child published the first domestic-advice manual, The American Frugal Housewife: Dedicated to Those who are Not Ashamed of Economy. By 1832, the popular tract was already in its 12th edition. Thus began a long tradition of domestic advice manuals written by and for American women.

The American Frugal Housewife is a true gem of literary history, and I strongly encourage you to peruse it yourself on google books. The book, like a lot of the first domestic advice manuals, aims to teach women how to organize a home in the most efficient manner possible. Though I am not in the habit of eating Mutton, I especially enjoy this page, which explains, in simple terms, where various cuts of meat come from:

Butchering aside, Child’s analysis is that most young girls head into marriage ill-prepared for the realities of household life. They imagine married life will be all butterflies and romance, and then when confronted with the banality of everyday life find themselves sad and lonely. Lydia Maria Child’s advice is to stop exaggerating the importance of getting married, and teach young women to be useful. Life, she reminds us, is mostly unromantic, and the sooner we teach that to young women, the better.

My favorite section of this little book begins on page 89, and is titled “Hints to Persons of Moderate Fortune.” This section is written to the selection of Child’s audience who may have the money to consider which furniture to buy, or how to educate daughters. There, she writes:

That a mother should wish to see her daughters happily married, is natural and proper; that a young lady should be pleased with polite attentions is likewise natural and innocent; but this undue anxiety, this foolish excitement about showing off the attentions of somebody, no matter whom, is attended with consequences seriously injurious. It promotes envy and rivalship; it leads our young girls to spend their time between the public streets, the ball room, and the toilet; and, worst of all, it leads them to contract engagements, without any knowledge of their own hearts, merely for the sake of being married as soon as their companions. When married, they find themselves ignorant of the important duties of domestic life; and its quiet pleasures soon grow tiresome to minds worn out by frivolous excitements. If they remain unmarried, their disappointment and discontent are, of course, in proportion to their exaggerated idea of the éclat attendant upon having a lover. The evil increases in a startling ratio; for these girls so injudiciously educated, will, nine times out of ten, make injudicious mothers, aunts, and friends; thus follies will be accumulated unto the third and fourth generation. Young ladies should be taught that usefulness is happiness, and that all other things are but incidental. With regard to matrimonial speculations, they should be taught nothing! Leave the affectations to nature and to truth, and all will end well. (92)

Isn’t that a lovely bit of writing? When she talks about the injudicious mothers, and the accumulation of follies, all I see in my head is that perfectly depicted character, Mrs. Bennett, the mother about whom Jane Austen wrote those incredible first lines, “It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” And then it goes on

However little known the feelings or views of such a man may be on his first entering a neighborhood, the truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.

Jane Austen published Pride and Prejudice in 1813, so it’s possible that Lydia Maria Child was thinking of Mrs. Bennett when she wrote those lines about the silly mothers and daughters. But why, the question is, is any of this worth thinking about now. We twenty-first century women are not in need of advice books reminding us that “usefulness is happiness,” or are we?

I cannot speak for all people, but I know that for me, the heavy dose of New England thrift and prudence that is The American Frugal Housewife is quite welcome. It seems that I am not the only one. The amazon review page is full of praise for the way that Child discourages materialism, envy, and all of those negative emotions that define our consumer society.

But it is not simply Child’s practicality that appeals to me, it’s the fact that her persona, as domestic advisor, is one we still see represented today. She is the precursor to Ann Landers, Dear Abby, and most recently, Slate’s Dear Prudence. And like each of these other women, she embodies the contradictory role of domestic guru. It is easy to read someone like Lydia Maria Child as a simple enactment of eighteenth century values of domesticity, via the cult of true womanhood. But the historical record shows us that Child was both a domestic guru and a radical political thinker.

The example of Lydia Maria Child makes it clear that domesticity, the making of a home, and politics, the realm of the public sphere, are not mutually exclusive. For Child, the values one expresses in the home are indicative of the kind of world one is trying to build outside of the home. What’s more, Child sees these two spaces as constitutive of each other. She does not let us off the hook. What would she say to the liberated ladies of 2014? We can only guess. I think she would be happy to see that women had more educational opportunities than ever before, but I think she would be appalled at the value our society places on things, especially when so many people are just scraping by. Reading someone like Child challenges us to think about the household as a reflection of the world. She challenges us to live everyday life not in terms of aspiration, but in terms of usefulness. She doesn’t care what you want, but how you can make yourself useful. And that is a powerful thing.

new home economics, part 1.

In my writing and research this week, I’ve been developing a thesis about the strange relationship between the disciplines of women’s studies and home economics. This is not, I realize, a topic that will sound sexy to the average layperson. And yet, I am fascinated by the possibility that Home Economics, the science of household efficiency and sanitation, can be understood not as the opposite, but as a precursor to Women’s Studies, broadly defined as the study of gender and culture.

I am being reductive here, any academic will understand immediately that the scope of knowledge defined by a given discipline is always contested. The way disciplines are structured is a political endeavor that has consequences for how (and what sorts of) knowledge are transmitted. Additionally, the structure of an academic department is determined by resources available for funding, which is sometimes determined by state governments, and other times, by boards of directors. The question of what department gets to expand, which department gets eliminated, and which two are smashed together to form a new one with a new name is highly contentious. The respective histories of home economics departments (which were largely folded into departments of Human Resources, Human Services, and Human Ecology), and women’s studies departments (most of which are now called by other names– Gender Studies, Women’s and Gender Studies, Gender and Sexuality Studies, etc.) are a case in point.

It is because of all of the above mentioned reasons that I myself am interested in the institutionalization of academic disciplines, what one of my teacher refers to alternatively as field formation and institutional history. On top of all of that, I am an inter-disciplinary scholar, which means that my work does not fit squarely in any one place. What I research certainly fits within the realm of women’s studies, but since I am working on a project that considers femininity, home economics is also part of the story.

Home Economics was institutionalized around the year 1900, a fact which was codified by the formation of a scholarly journal (The Journal of Home Economics) and a professional association, The American Home Economics Association. Before I started researching this project, I associated home economics with a class I took in middle school, where I learned to sew a pillow that sat atop the stool I made in shop class. I also vaguely remember baking brownies and learning how to write a check. Mostly, I remember a kindly young teacher whom I would often visit during my lunch period, since her classroom was a much more desirable place to hang out than the cafeteria.

Home Economics, sometimes known as Domestic Science, is actually much more interesting than the curriculum of your average “home ec.” class would suggest. Home Economists were trailblazers in nutrition science, water sanitation, design, and countless other incredibly useful fields of knowledge. They brought scientific knowledge to bear on the home, and taught their students how to apply the skills they learned in the classroom to everyday life.

What is most interesting (to me) about this field of study is that it was the first place where women originally found a place in higher education. Home Economics pioneers like Lydia Maria Child, Charlotte Perkins Gillman, and Ellen H. Richards were proto-feminists. In Home Economics Departments they found institutional support to do research that they deemed vital to their communities. At stake, for these women, was how to organize the home in a way that promoted the health and general welfare of families (and especially children).

The great irony I see here is that home economics faded into obscurity around the same time as the arrival of second wave feminism (and academic programs in women’s studies). It was not a matter of simple cause and effect, but it is true that as women’s studies found a place in major universities, home economics departments were being eliminated and/or submerged into other disciplines.

Have I peaked your interest? I’ll continue posting about this as I work through the questions in my writing.



Blogging Again!

Now that I’m writing my dissertation full-time, I’m feeling the blogging itch once again. I’m working from home these days and am hoping to use the blog to work through some of the my dissertation writing, and to share interesting/humorous things I come across in my research.

I’ll also write about TV, so you can look forward to Mad Men recaps starting in early April when the show comes back for the final season, my thoughts on Girls, The Mindy Project, and whatever else seems worthy of extended thought and conversation.

Enjoy Mom & Sara and whoever else is reading:)

Death Becomes Her [Mad Men: Season 4, Episode 9]

RIP Ida Blankenship, we will miss you dearly, and your wise words of wisdom at every turn. This was an episode about women, young and old, trying to make due in a world that is not suited to their wants and needs. Taking my cue from dear old Blankenship, I’m going to use my post today to elucidate some of the incredible women standing in the background of Don Draper, Roger Sterling, and Bert Cooper.

It’s a business of sadists and masochists, and you know which one you are.  This week, we watched Peggy go on a date with Abe, a left thinking writer and avid reader of the village voice. When Abe criticizes Peggy for working at an agency that does business with racist corporations, she quickly beats him at his own game. Peggy lucidly pokes holes in Abe’s easy ‘anti-establishment’ rhetoric, pointing out the fact that most of the companies she engages with are family owned and organized. Moreover, if she were to take a true political stand, she could never do business with any one. While some of the companies she works for are racist, all of them are sexist. Abe, faced with Peggy’s proto-feminist sentiments, merely laughs: ‘a civil rights march for women?’. Well yes, Abe, precisely. Peggy is, in her own words, ‘not a political person.’ And yet on a personal level, she is keenly aware of the ways that sex functions in the workplace. Everyone assumes she has earned her position as copywriter by sleeping with Don, and so she is constantly trying to prove herself. She sacrifices not only her lunch hour, but her personal relationships on behalf of her ‘work,’ only to be dismissed by her boss who can’t talk to her until he’s had his afternoon nap. The severity of the situation of gender is such that even a radical like Abe can’t understand what Peggy is talking about. This episode seemed to perfectly encapsulate that tired old feminist slogan from the seventies: the personal is political. Peggy may not be a political person, but her personal life has political relevance, and it seems like she is finally starting to realize it. I look forward to seeing what happens with old Abe, who is surely not gone for good. Will he publish his piece out of spite or will Peggy have a change of heart?

She’s pushy, that one, I guess that’s what it takes. Dr. Faye has taken a lover in Don, and it seems like the sex might be mutually satisfying, a nice change from the monotony of Don’s former partners. But Faye is in dangerous territory. She’s not only sleeping with her boss, she also seems to be falling in love with him. When Sally showed up at the office, Don asked Faye to take her home and babysit. The next day, when Sally had a break down, he asked Faye to deal with it. At the end of the episode, she confronted Don with her insecurities. She is worried that she failed the ‘mother-test’ because she was not capable of calming Sally down. But why is this the critique? Why is she not angry at Don for treating her like a secretary… for demanding that she do the maternal work of caring for his child? Of course, Faye views Don’s treatment not as sexist, but as generous. She is thrilled that he would entrust his child to her care… this must mean he really likes her. I’m not quite convinced…

She looked so chubby in the pictures. Kiernan Shipka was dazzling this week as Sally Draper; she delivered every line with just the right mix of sexual innuendo and childish play. But I’m getting ahead of myself. Sally arrives at SCDP mid-morning, accompanied by a woman who found her dodging the conductor on the commuter rail from Ossening to Manhattan. When Don apologizes to this good Samaritan, she merely replies “men never know what’s going on.” This line encapsulates all of the plot lines that occurred this week, but most poignantly in the case of Sally Draper. When Don calls Betty to pick up her daughter, she tells him she will collect her at her own convenience, the following evening. The implication is that things at home are far worse than we know.  Don is thus stuck with his daughter for 36 hours. As usual, the parents are incapable of disciplining the children. Don tells Sally she must never do this again, and then proceeds to order a pizza and take the morning off so he can take his daughter to the zoo.

Sally looked positively thrilled to be laying on the couch with her dad all to herself. And here is where I must make my Freudian critique: Sally was clearly attempting to seduce her father into letting her live with him. My roommate was appalled by this reading, but it was textbook Freud. For Freud, part of the trauma of growing up (especially for the girl-child) is the knowledge that you are not in fact the only object of your mother’s love. As a baby, the mother nurses the baby, and loves it unconditionally. This unselfish and pure love is only temporary… soon the baby must begin to eat solid food, and once taken from the mother’s breast, life is never the same. The child learns that the mother’s love is directed not at her, but at the father.  The girl child knows she cannot satisfy the mother, she feels a profound lack, and envies the boy child for his penis. Unconsciously, the girl resents her mother for desiring the father, and so she attempts to win the father’s love for herself. “Daddy’s little girl” takes on a whole new meaning.

The theory relies on the assumption that all of our relationships to other people are (in some sense) libidinal… we may not realize it, but sex is always part of the equation. All of this made Sally’s behavior in last night’s episode all the more meaningful. She is threatened by Faye’s hold on her father… when Don tells her she might get to meet Faye again sometime, she responds with a simple “oh.” But that small word was full of resentment and frustration, as if to say, but Daddy, you said you weren’t going to marry her!  Sally wakes up early and makes Don breakfast… when Don tells her not to use the stove she coyly replies “Oh Daddy, I do it all the time.” All of this is made all the more significant because we know that Sally has discovered her own sexuality…  she is no longer an innocent little girl. She has asserted her own desire, and is projecting it onto her father. Perhaps you think this Freudian stuff is crazy-talk, but I find it hard to imagine watching last night’s episode and NOT sensing something slightly provocative in Sally’s behavior.

There’s much more to say about the women in this episode, but I’m off for now,I’ll leave you to ruminate (consciously or not) on penis-envy and the astronomical prowess of Ida Blankenship:)

Unlucky at Entertaining: [Mad Men, Season 4, Episodes 7 & 8]

These past two weeks of Mad Men have been incredibly satisfying for me… they seem to prove my own assertion (in this blog) that the series is articulating Peggy and Don as parallel characters.

Who is Peggy Olsen?: Last week, Peggy and Don spent the night together at the offices of SCDP. Peggy chose Don and the Samsonite account over birthday dinner with her smarmy boyfriend and her family. I loved the way she handled herself on the phone, the way that she seemed to mourning not the loss of her boyfriend (whatshisname?), but the loss of what he represented for her: everything she is supposed to want out of life– a husband, a house in the suburbs, a couple of blonde kids. Peggy represents the paradigm of the working girl, and all of the contradictions she must encapsulate. Peggy’s resolve that this is what she wants to do has to be strengthened by the presence of Dr. Faye Smith, a woman with a career who is well-respected by both men and women. Note, that this feeling of respect does not extend to her name… she is referred to as ‘Dr. Faye,’ never ‘Dr. Smith’… I suppose in 1965, you have to choose your battles.

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The Emperor has no Clothes: Mad Men [Season 4, Episode 6]

First, my apologies for not posting last week (Mom, I know you were sorely disappointed). I had my first week back at school, and blogging fell by the wayside. These past two episodes have been the best yet this season. Last week, we got to hear January Jones utter the word ‘masturbation’… and this week, we got to see a nudist in action (well sort of).

We might frame last night’s episode as about two concepts: origins and their repression. Peggy peeled off her clothes; Roger remembered Don Draper as he used to be– a bright young man with big ambitions and a healthy respect for authority. As usual, the parallels between these two characters point out the carefully built walls that shield Don and Peggy from getting too close to anyone or anything. This season, we can’t turn away as Don’s defense mechanisms crumble all around him, revealing a broken man who bears little resemblance to the dapper gentlemen we met some years ago in the pilot.

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